Ultimately, there are four key factors to consider: how rare the record is, what condition it’s in, how old it is, and the current price of similar copies.
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In the sections below, we’ll walk you through all of these factors to help you get a sense of how to evaluate the albums in your collection. Once you choose a record to appraise, the first step to take is determining its condition.
Warping can be caused by improper storage methods, extreme temperatures, and other factors, and it’s one of the main reasons some rare records sell for less than others.Ī warped record often produces inferior sound due to the physical shifting of the vinyl, which means a collector won’t be willing to pay as much for it. Rare records with slight warping issues may still sell for large sums, but it’s best to take warping on a case-by-case basis.Scratches: If your record has deep scratches on either of its sides, you’re likely to deal with sound issues like skipping, noise, and distortion.These issues can take away from the resale value of an album, and they’re common problems in records that are stored improperly. MANULAB is open for all researchers including industry, although the latter is limited by the ESA regulations. The laboratories can be used by students at the bachelor, master and PhD level, in addition to researchers, for both teaching, study projects and research. The laboratories are available by appointment. More information about opening hours will come. The Learning Factory is used for education and research in Industry 4.0.
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The factory is a full-scale simulator of a real industrial production with conveyor belts, robots, machining, autonomous transport units and automatic bearings.
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There are a large number of built-in sensors and associated software for simulation, planning, analysis, and data capture (ERP, MES, robotic programming, PLC programming and material flow analysis). It is also adapted for AR (augmented reality) and VR (virtual reality). We use this equipment for research on Industry 4.0 as a system, and the interaction between operators, software and machines. We use this equipment in several of our courses at master and bachelor level. See Festo Didactic for specific information on our Cyber-Physical Learning Factory. Users must have completed an HSE e-learning course, and received training before use. The laboratory belongs to MANULAB, a national infrastructure for basic research on manufacturing engineering.Miniature from a 14th-century manuscript of Pygmalion working on his sculptureĬoncepts of artificial servants and companions date at least as far back as the ancient legends of Cadmus, who is said to have sown dragon teeth that turned into soldiers and Pygmalion whose statue of Galatea came to life. Many ancient mythologies included artificial people, such as the talking mechanical handmaidens ( Ancient Greek: Κουραι Χρυσεαι (Kourai Khryseai) "Golden Maidens" ) built by the Greek god Hephaestus ( Vulcan to the Romans) out of gold. The Buddhist scholar Daoxuan (596-667 AD) described humanoid automata crafted from metals that recite sacred texts in a cloister which housed a fabulous clock. The "precious metal-people" weeped when Buddha Shakyamuni died. Humanoid automations also feature in the Epic of King Gesar, a Central Asian cultural hero. Įarly Chinese lore on the legendary carpenter Lu Ban and the philosopher Mozi described mechanical imitations of animals and demons. The implications of humanoid automatons were discussed in Liezi (4th century CE), a compilation of Daoist texts which went on to become a classic. In chapter 5 King Mu of Zhou is on tour of the West and upon asking the craftsman Master Yan Shi "What can you do?" the royal court is presented with an artificial man.
The automation was indistinguishable from a human and performed various tricks for the king and his entourage. So the craftsman cut the automation open and revealed the inner workings of the artificial man.īut the king flew into a rage when apparently the automation started to flirt with the ladies in attendance and threatened the automation with execution. The king is fascinated and experiments with the functional interdependence of the automation by removing different organlike components. The king marveled "is it then possible for human skill to achieve as much as the Creator?" and confiscated the automation. A similar tale can be found in the near contemporary Indian Buddhist Jataka tales, but here the intricacy of the automation does not match that of Master Yan.
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